Steampunk Christmas?

The two terms don’t sit particularly comfortably together, I feel.  As I pondered the possibility of adding seasonal items to Steampunk-Shrunk’s stock for the upcoming Christmas sales, images of rusty Santas and welded junk Christmas trees felt less than inspiring.

I’d more or less given up, when I opened a draw and found some of these little creatures, bought in last year’s January sales, peering hopefully up at me.

There was already a box of vintage watch parts sitting on the desk, and the two seemed to fit together perfectly.

So now there are some steampunked reindeer, some with tiny cogs for eyes, while others have real (industrial grade) rubies – Rudolph the red-eyed reindeer?

By now some modicum of Christmas spirit was seeping into my veins and I started hunting around the studio for other items that could be combined to create something festive.
“How would one decorate a steampunk Christmas tree?” I asked myself.
Idly I began twisting wire around needles to form coils and threading them with whatever came to hand – vintage beads from an old necklace, cog wheels and watch parts, bells, charms and even miniature teapots. The copper coils were bent and twisted at crazy angles and the weird, dangling objects that emerged were hung from lengths of ribbon.

Who can say whether others will share my concept of a steampunk Christmas?  Time will tell.

These One Of A Kind oddities will be on display at the two December stalls where Steampunk-Shrunk is exhibiting.  See home page on this site for details of dates, times and venues.

Autolycus

Sometimes we like to push ourselves a bit – yes?

I fell in love with this image on Instagram and decided to try and make something similar at 1/12 scale... I had these cheap old prams kicking around, so they were the starting point. 
www.steampunk-shrunk.com 
#steampunkshrunk #steampunk #miniatures #modellingSo I was staring at this gorgeous picture on Instagram – yes, this one here – and thinking how much I’d like to create something like it.  Now I don’t have a soldering iron or any other metal-working skills or equipment.  My woodworking ability stops at cutting up coffee stirrers and lolly sticks with a junior hacksaw.  In fact, I’m strictly a glue-and-cardboard person if I need to make anything rigid.  It didn’t look particularly hopeful.

Then I remembered that I had a couple of cheap 1:12 scale metal prams.  I put them next to the photo and decided the larger one might just work.  Well, it was worth a try.

First part mounted on the chassis. 
www.steampunk-shrunk.com
#steampunkshrunk #steampunk #miniatures #modellingFirst there was much measuring, pattern cutting and trial and error with some nice brown card I had lying about.  Next each piece was lined with card-backed fabric in a subdued floral pattern and the centre part of the body was glued in place.  It looked roughly the right shape.

Putting together the dashboard, steering wheel and brake was easy, as was the little padded leather seat.  My horseless carriage was coming together.

If it was going to be horseless, it needed an alternative power source.  Steam – obviously.  I cobbled together a little steam engine to go on the front and used a drinking straw covered in copper tape for the funnel.

The basic bodywork in place (cardboard with several coats of clear gloss varnish)
www.steampunk-shrunk.com 
#steampunkshrunk #steampunk #miniatures #modellingIt was at around this point that the vehicle’s name came to me.  In Shakespeare’s A Winter’s Tale, there’s a character called Autolycus.  He describes himself as ‘A snapper-up of unconsidered trifles’ and that is exactly what this vehicle was becoming.  A spring from a ballpoint pen, the stick from a cotton bud, several small rubber washers, along with beads, chains, charms and jump rings from my junk jewellery collection all went into it.  So The Autolycus it would be.

The boot was turned into a strong box, with tiny nail art crystals for the rivets.  The windows were cut from clear acrylic packaging and set into suede strip seals.

Finally – and very nervously – I put the whole body together.  A couple of coats of clear gloss acrylic varnish gave it look not too unlike polished wood, and strips of leather thong worked well for trims.  The roof frame was – obviously – made from coffee stirrers!  The door was attached with a strip of cotton tape and some faux hinges made of beads stuck to the outside.  More beads and some earring wires made a pair of suitably ancient-looking lamps and at last The Autolycus was finished.

Obviously it lacks the beautiful clean lines of the vehicle that inspired it, but I’m not unhappy with the overall result and I’m sure the ladies and gents at Steampunk-Shrunk will be rather interested in this strange vehicle, despite the fact that it’s the steampunk equivalent of a smart car and only the skinniest and most agile contortionist would be able to get inside and steer the thing. No automatic alt text available.

 

The Autolycus will be on display at various Steampunk days and miniature fairs in the New Year.  Check the home page on this site for details of dates and venues.

 

 

Tobias and The Angel

This is how Tobias looked when he first arrived at Shrunk Towers.  I think his name was probably Paul or Richard.

After a bit of Steampunk-Shrunk magic, he ended up looking like this – fine leather coat, hand-stitched black wool trousers, satin waistcoat, cravat and a serious facial makeover.

As they are transformed, the little people’s personalities change too.  Tobias oozes charisma, but he does like to call the tune.  That’s why I ended up with The Angel.

There’s a town I visit when I need to replenish my raw material supplies.  It’s the only town I know that has two large branches of Poundland in one street, with Wilko and a bunch of charity shops in between.  It’s that sort of town.  As all my raw materials are bargain-basement, other-people’s-idea-of-rubbish items, it’s the perfect place.

I’d barely started browsing, when I saw the car in a shop window.
“Buy it!” hissed Tobias.
“That?” I asked. “I mean it’s very lovely, and I can see it’s just your size, but look at the paintwork.  It’s dreadful – needs a load of work.  And I don’t DO cars.  And anyway, it isn’t cheap.”
“So haggle,” he replied calmly and insistently. “You can do it up.  It’ll look great.  Just imagine it as the centrepiece on one of your stalls with a driver in a leather coat and goggles…”

So, just to shut him up, I went in and asked what their best price would be.  They offered ten per cent off and – still doubting the wisdom of this – I bought it.

Gleefully, Tobias sat in the driving seat.  “I’ll call her The Angel,” he smiled.  “You won’t regret this, you know.”

Every spare minute was given over to The Angel during the next three days.  Shiny gold and silver nail varnish covered the blotchy detail paintwork.  Gold cord trim made the upholstery look neater.

No automatic alt text available.

The dashboard (two metal washers, two tiny bolts and a strip of tin) was replaced by an array of dials, ‘lights’ and switches, a clock with cogs and a deep blue leather map pocket, complete with removable map.  The scrap jewellery box was raided to create headlamps (a pair of pearl earrings painted over with more nail varnish) and fog lamps.  My signature copper tape (sold as slug repellent) trimmed the details and was used to fix the clear acrylic windscreen in place.   No automatic alt text available.Tobias declared himself satisfied with the result and, pulling down his goggles, climbed back into the driving seat for a photo-shoot.

 

The Grimoire

 

Should the contents of this ancient tome be made public?  We sincerely doubt it.  People approach our sales area, lovingly handle copies of the book and purchase it.  Since it measures only one inch from top to bottom, though, they are incapable of reading the text, so all remains well.

However we have been prevailed upon to make the book’s contents generally available and – with more than a few reservations – have agreed to do so.

The covers and most illustrations are by a singularly talented lady called Betsy, who virtually resides at Chocolate Rabbit.  If you click here you can visit her shop.

The text is ancient and handed down through the ages but compiled many hundreds of years ago by Messrs Aubrey and Dee.  A few copies have recently surfaced and can be purchased via Steampunk – Shrunk.

Spells and Charms    W. Aubrey & J. Dee

Introductory Notes
This being hopefully too small to be viewed with the naked eye, it is to be hoped that what follows will not be taken in too literal a sense by any readers, since following these recipes could result in all manner of foul and unpleasant effects, which could render the reader or his subject insensible or possibly deceased.
You have been warned.
The second reason for keeping to this miniscule size is that we can’t spare the time to write an entire book on a subject of which our knowledge is sadly lacking in any case.
Some preliminary notes on the Philosophers’ Stone.
safely unreadableShould the apostrophe come before or after the s there?  We are not entirely sure whether we speak here of one or multiple philosophers.  Certainly it may be the case that the esteemed authors of this tome were able to conjure this miraculous substance, but we are not telling.  How stupid do you think we are?  History will be able to judge whether or not we have been successful in our attempt to discover the source of eternal youth.  Should this volume be published posthumously, or read in a time when one or both is no longer incarnate, then the reader may judge for himself our lack of success in this area.
So anyway, we digress.  Let us set out a simple recipe for the preparation of the substance you require.  Easy as making scrambled eggs, honestly.
Take equal parts of blood from a recently slaughtered beast – sorry vegetarians and vegans, we’ve lost you already.  Anyway, as we said, blood, mixed with equal parts of phosphorous, zinc, yellow sulphur and spirits of aqua vitae.  The stench will be beyond your wildest imaginings and will reduce grown men to tears and fits of the vapours.  Nevertheless, it is vital to persevere.  Perhaps placing a handkerchief or a nosegay of country herbs close to your nose will be of some assistance.  We sincerely doubt it.  We suspect this will be about a useful as it was in preventing individuals from catching the plague.
Once you have your mixture, it must be distilled at least three times.  We’re assuming you have access to a still.  If not, why on earth are you bothering to read this book?  Honestly – amateurs.  We have no regard for such people.
After the distillation process, you will be left with a clear substance the colour of dark urine.  To this, add an equal quantity of – you guessed it – dark urine.  This should preferably be collected from a virgin at full moon.  However, in our experience, such ladies seem strangely reticent to provide said liquid to honest students of natural science and you may find you have to use your own, or pay the young woman handsomely for the substance.
Next the mixture must be left to putrefy for at least seven weeks.  You will probably find, as we did, that long before this time has elapsed, you will have been evicted from your lodgings and all neighbours within a hundred yard radius will have fled to the countryside, since the odour is rather pungent.
Persevere, dear reader.  You are inching ever closer to the miraculous substance you wish to produce.
The next stage is to obtain one dozen of the finest hens’ eggs, as freshly laid as may be.  Break the eggs into a bowl and do with them as you will.
This might be a good time to make those scrambled eggs we mentioned earlier.  Now retrieve all the eggshells you have just cast upon your midden or added to your recycling bin (depending on the era in which you are reading this).  Place in a mortar – or is it a pestle?  Never really figured out which bit was which.  Anyhow, put them in the bowl-shaped one and pound them vigorously with the other thing.
When they are well smashed, add to them 4 drams of camphor.
Continue to pound vigorously, or simply stick the whole mess in the blender if you have one.  We’re giving ourselves away a bit here, aren’t we?  I think you’ve probably rumbled us by now.  Either this book is an elaborate hoax or we stumbled upon the secrets of time travel and have visited the XX1 century.  Since you don’t know which, though, you’ll just have to keep reading.
each page individually agedNow since this book – which no one will be able to read in any case – is taking an inordinate amount of time to write, we will now do some judicious cutting and pasting.  Kindly pass me the dagger and a pot of the boiled calves’ foot glue, Mr Aubrey, if you’d be so kind.
Take equal parts of blood from a recently slaughtered beast – sorry vegetarians and vegans, we’ve lost you already.  Anyway, as we said, blood, mixed with equal parts of phosphorous, zinc, yellow sulphur and spirits of aqua vitae.  The stench will be beyond your wildest imaginings and will reduce grown men to tears and fits of the vapours.  Nevertheless, it is vital to persevere.  Perhaps placing a    handkerchief or a nosegay of country herbs    close to your nose will be of some assistance.  We sincerely doubt it.  We suspect this will be about a useful as it was in preventing individuals from catching the plague.
Once you have your mixture, it must be distilled at least three times.  We’re assuming you have access to a still.  If not, why on earth are you bothering to read this book?  Honestly – amateurs.  We have no regard for such people.
After the distillation process, you will be left with a clear substance the colour of dark urine.  To this, add an equal quantity of – you guessed it – dark urine.  This should preferably be collected from a virgin at full moon.  However, in our experience, such ladies seem strangely reticent to provide said liquid to honest students of natural science and you may find you have to use your own, or pay the young woman handsomely for the substance.
Next the mixture must be left to putrefy for at least seven weeks.  You will probably find, as we did, that long before this time has elapsed, you will have been evicted from your lodgings and all neighbours within a hundred yard radius will have fled to the countryside, since the odour is rather pungent.
As you will doubtless have gathered, that was a rather longwinded way of saying you need to repeat the initial process.  You now have two vats of very smelly liquid and one of almost as smelly powder.
The next step is to combine all of these in a large iron cauldron.  This must then be heated over a fire, stirring continuously for the first fifteen hours.
After that, leave it to simmer until all the liquid has evaporated and you are left with a blackened crust at the bottom of the cauldron.  This must be scraped from the vessel and pounded.  We do like a good bit of pounding.
We suggest mixing this with half a jar of Modge Podge.  This is a wondrous substance available in the XX1 century and does the job like no other.
Congratulations.  Once it has set, you will have your very own philosopher’s or philosophers’ stone.
As you will see in the illustration, you will now be able to grow an extra head and stand atop a fire-breathing dragon with total impunity.

 

On Traversing Time
This is obviously the real reason you purchased this volume.
That [illustration – you’d need to buy the book to see it] is a very lame attempt to make this look vaguely mathematical, but since you won’t be able to read it (and nor will the guy we lifted the page from) there’s no harm in it really and we have almost half a book to fill.
Some preliminary notes on traversing time:
Basically, time is no more than a convenient form of measurement.  We are accustomed to using it in one direction only, from past, through the present and towards an uncertain and – as most common people believe – unknowable future.
However there is far more to time than that.  If you are in doubt, we suggest a visit to Old Mother Hambledon at the third cottage after the gallows on Black Heath Common.
Half an hour in the company of this good woman will convince you of one of two things – either that time is quite capable of standing still, since half an hour in her company is equivalent to several days in the company of any other, or – should she be having one of her good days – that she is capable of seeing into the future as easily as you can see this book in front of your face.
Once it has become apparent to you that time can be – let us say – manipulated, you will be eager to experiment further.
It would be tempting to explore metaphysics at this point and talk some real sense, as we have in fact performed some fascinating experiments in this area.  This is, however a grimoire, and as such, you will be expecting a set of arcane charms, spells and other superstitious twaddle.
Far be it from us to disappoint a willing audience.  We get royalties on this book.  They are derisory, of course, but nevertheless, they keep the banshees, hobgoblins and other nasties from the door.
So, a spell you will get.
A Spell to Traverse Time
One groat’s worth of raw liver, chopped finely
A generous handful of henbane
111 fly agaric mushrooms
11 spoons of goose grease
A pinch of white arsenic
A quart of fine ale
Pulverise and mix all the ingredients, then heat in your cauldron.  It may be advisable to wash out the cauldron if you have recently prepared the philosopher’s or philosophers’ stone.
Please note, in this volume we use Roman numerals.  It is an ancient grimoire, after all.  We are just slightly concerned that some readers may have read the recipe as one hundred and eleven mushrooms, as opposed to three.  Believe us, three will be plenty.
Anyway, back to the spell.  Stir the mixture seventy-five times widdershins by a waning moon.
Continue to pound vigorously, or simply stick the whole mess in the blender if you have one.  We’re giving ourselves away a bit here, aren’t we?  I think you’ve probably rumbled us by now.  Either this book is an elaborate hoax or we stumbled upon the secrets of time travel and have visited the XX1 century.  Since you don’t know which, though, you’ll just have to keep reading.
Yes, we admit it.  Another cut and paste job.  It’s getting late.
Allow the mixture to cool.
Imbibe as much as you can without vomiting too profusely and remain seated.  If you have followed the recipe exactly, you will find your head begins to spin.  No, that wasn’t figurative.  We mean it.  You will then find yourself rising into the aether and experiencing life in a very different time frame to the one you normally inhabit.
Do not be overly alarmed, unless of course you find yourself in a particularly alarming period of the past or future.  In which case, feel free to be as alarmed as seems prudent.
The effects of the potion will wear off at some point, but not – naturally – a point in time, since you have traversed that medium, remember?
We hope you find the experience as edifying and instructive as you wish it to be.  There are a few side effects, so if you should experience nausea, dizziness, ringing in the ears, or any other appendage, don’t attempt litigation.  We – remember – are highly experienced time travellers and you will never catch up with us.

 

A Charm to Cure Warts
Every spell book has one of these.  We have no idea why.  What’s the problem with warts anyway?  Surely a charm to cure smallpox or world poverty or something would be far more useful, but our editor insisted.
“Give them a wart spell, boys,” he told us, and who are we to argue?
Here you are then:
      Tie a piece of white muslin around the affected area.  Spit upon it copiously and turn around 111 (that’s three) times, repeating this ditty:
Begone thou warty and mendicant wart.
I wish to see thee no more
As thou offendst mine eyen.
Drop from my body and sink in the dust
There to be consumed
By a ravaging cur or starving she-wolf
Or a rampaging hedgehog or badger.
In fact I’m not fussed what eats thee
So long as thou leavest me in peace.
I trust thou hast the message by now.
Begone thou foul and loathly wart.
 If that doesn’t do the trick, we are sorry to say that you are stuck with the wart.  But hey, it could be a plague of boils, so really, just be happy with your lot.

 

We hope you have enjoyed our grimoire.  Do visit our Amazon page if you ever find yourself in a time when such things exist.

 

Illustrated copies of the Grimoire are available From Steampunk – Shrunk at £4.50 each and can be shipped for the cost of a large letter.  Please use the contact form on our home page.  This is a limited edition of 99 books and each is individually compiled and aged by hand.

 

 

A Letter for Gertie

Did I hear a squeal emit from your lips, Gertrude?

“Yes, you most certainly did!  And with good reason!  I’ve just received the most extraordinary letter.”

Have you now?  Do tell us more.

“It’s from a lord!  A genuine lord!  It has his coat of arms at the top and his name and address (a very prestigious address) in curly writing embossed beneath it.  And – oh! – he says the most astonishing things about me.”

I think you’d better share the contents of this letter with us, Gertie dear.

My dear Miss Jekyllton-Smythe,

No doubt you will be somewhat surprised to hear from me.  Allow me to introduce myself:  I am Horatio, the fifth Lord Backgammon, of Charlton Regis.  I have a rather interesting project, with which I would be most honoured if you felt able to assist me.

You came to my attention through a friend who dabbles in temporal transportation – a ‘time traveller’ in common parlance.  His favourite era is the first half of the twentieth century, upon which he has become something of an expert.  Henry tells me that in that time, you are a lady of some renown.  In fact he says you are the most sought-after garden designer in this nation of ours and have published some quite excellent books on the subject.  Obviously, this will be news to you, since we have not had the privilege of visiting the future, but no doubt you will greet the information with some delight.

Now to the purpose:  I have, in my grounds, a small piece of land known as ‘The Board’.  It was laid out by my great-great-grandfather to the dimensions of a backgammon board (a pun on the family name, obviously).  Since his time, it has fallen into disrepair and I recently had it cleared.  I enclose a photographic print for your perusal.  Each of the two sections measures 8 x 17½ foot and is enclosed by a low wall, approximately one foot high.  I would be delighted if you would agree to design and oversee the construction of a garden in this area for me.

The brief is as follows:

  • The layout of the original backgammon board is to be retained, in deference to my ancestor.
  • There will need to be a lake or pond of some kind, to house a pet of mine.
  • I should like a small glasshouse or orangery, since I am most partial to exotic fruits.
  • Mechanical systems should be incorporated wherever possible for watering, grass-cutting etcetera.          I will gladly undertake to design and manufacture these elements myself.

Please contact me at the above address, should you feel willing to undertake this project.

Yours very sincerely,

Backgammon

“Just imagine!  I’m to become famous!  And successful!  And – well certainly it’s a very small space – but what an exciting proposal.  So much more entertaining and creative than designing red, white and blue bedding plant displays in municipal parks, as I do at the moment.”

Certainly it is an interesting project, Gertie.  Congratulations.  I wonder what sort of aquatic pet his lordship owns…

 

 

The Case of the Withdrawing Room

It’s a tiny room – just 8 inches wide by 6 inches high, and a mere 3 inches deep when the case is closed.  As it’s at 1:12 scale, that equates to the same number of feet in our measurements.

That suits her ladyship very well, though.  She can withdraw to this secluded space and make her plans in private.

As her songbird warbles mournfully above her and the light of her lamp flickers on the table, she puts down her parasol,  loosens her corset, sits on the leather-upholstered chair and takes up her journal and pen.

Her ladyship has a dream.  She wishes to become a tinkerer.  Certainly there are social mores which frown upon such behaviour from a lady in her position, but she finds following her husband and his acquaintances around the grounds, while chatting politely to their dull little wives, incredibly tiresome.

She has persuaded one of the gardeners to tutor her in the rudiments of welding and metalwork, and by patiently dismantling clockwork machinery, she is teaching herself to build simple gadgets.  The lamp was one of her first.  It’s simple, but effective, switching on when the attached clock shows that dusk has fallen.

Her latest invention sits on the shelves beside her chair.  It is a jewel-encrusted mechanical insect which scuttles about the room.  Certainly it isn’t yet perfected, but the one thing her ladyship’s life has taught her is endless patience.

There is a short video tour of the room on my Instagram feed.  Can’t load it here, for some reason.

The room has attracted considerable interest and several people have expressed a wish to buy it.  If it doesn’t sell, it will be on my craft stall in Glastonbury on June 17th, as will copies of her ladyship’s journal.

Heart of Glass – Part 2

Hello.  It is me, Bjørn again.  I was telling you in the previous post how my life was saved by Dr Oskar Kopp and how I started to work as his assistant, while secretly wishing to study and become a great man like the Doctor himself.

One day I was brave enough to tell him of my dreams.  He sat silent for some time and then a strange expression crossed his face.
“Bjørn, my boy,” he said, slowly, “you have not the heart, or the brain, for greatness.  To do work like mine you need a strong, strong heart.  You need a keen, keen brain.  You are a good boy, but alas, you have neither… as things stand.”

Those last three words hung in the air, as if they held a promise.

“If you ver villing, though, zis could be altered.  Wat if I ver to offer you a new heart and a new brain?  You have seen ze marvels I can do.  It would be ze most glorious experiment, in ze name of Science!  If you ver villing, you could become a showcase of mein art!  Your mechanised brain and heart on display for all to see ze vunders of ze clockverk body.  You could achieve anything once zese adjustments had been made.  You’d be as great as me.  Maybe greater…”

Eagerly I agreed.  My weak heart, which had almost killed me once, would be replaced with a dependable clockwork mechanism, encased in a glass dome, so that all could wonder at its strength, and at my master’s skill.  I would be a walking advertisement for his abilities.  He explained less about the alterations to my brain, but I was led to understand that my ability to learn, to reason and to imagine would be considerably enhanced.

With a delicious sense of anticipation, I lay on the slab, allowed him to cover my face with a cloth soaked in some sleep-inducing substance  – and later awoke as you see me now.

Certainly now my mind and heart are stronger, keener than they were.  I can work harder, faster, better and I hold information and make deductions at lightning speed.  All this, the Doctor expected.  Perhaps he feared it slightly.  Yet he found a way to maintain his dominance.

Clockwork must be wound.  Each day my heart must be wound up or I will cease to function.  The winding mechanism has been set into the centre of my back – where only he can reach it.  In this way,  he ensures that I remain his servant.

Oh yes!  I can’t blame him.  He could not risk creating a monster who would overpower him.  Each day I must stand meekly before him while he winds, and winds, and chuckles gently to himself.

I am grateful to Doctor Kopp.  Yet I must think of myself too.  Am I destined to be subservient to him for the rest of my life?  Also, he is an old man.  Who will wind my heart when he is gone?  I must make plans.

It is indeed fortunate that in my ‘adjusted’ state, I no longer require sleep.  That secret room, the alchemist’s study, with its ancient spell book and equipment is my domain while he sleeps.  There are spells in the grimoire he has barely glanced at – spells that could create my freedom…

Bjørn is available at the Steampunk Dolls’ House.

 Steampunk Dolls House online Etsy shop

 

The Steampunk Bridegroom

I rather regret my – um – outburst now.  I confess I hadn’t realised the amount of work that goes into sewing a tailcoat – especially at 1/12 scale.  The seamstress grew quite angry.  She showed me the number of darts (never knew darts were used in sewing) and the intricacies of lining the tails and collar, and all with those huge clumsy fingers of hers.  I was anxious, though.  Only three days to the wedding, and there I was in my shirtsleeves, waving my watch at her and demanding that she finish the jacket quickly.  After all, she still had my hat and goggles to make.

Needn’t have worried, though. Everything was done in time and, I think you’ll agree,  the outfit does me justice.

Now I just have to finalise the arrangements for the honeymoon and all will be well.  My beautiful fiancée still has no idea where we will be going.  I’ve led her to suspect that we will be taking a journey on a steam locomotive, but my plan is that, as we celebrate with a goblet of wine after the ceremony, she will look out of the window and notice the airship approaching from over the sea.  I can’t wait to see the expression of amazement and delight on her pretty face as she realises that her dreams will come true and she will be sailing with me above the clouds.  Oh joy!

The Steampunk Bride

“We almost sold the engine room,”  announced the young man who runs one of the shops (the physical one) I supply, when I wandered in with some new stock last week.
“Came that close!” He squeezed his thumb and forefinger together.  “It was going to be a wedding present. They’re going to a steampunk wedding. They still might buy it, but then one of them said, ‘Oooh, I wonder if she could make a steampunk bride and groom…’.”
He looked at me quizzically.

“Maybe,” I said cautiously.  “I’ll give it some thought.”

I’d made a promise to myself when I started making the steampunk miniatures: NO COMMISSIONS.  I’d done them in the past and my vision rarely coincided with my clients’.  It often ended in tears.

This project was interesting, though.  The groom would obviously be in the usual smart dress suit with top hat and goggles.  I even had the ideal fabric – the remains of a black and gold jacquard scarf I’d found once in a charity shop.  It was dressing the bride, though, that intrigued me.  There were so many ways that could go…

I held out for at least two days, busying myself with the Garden of Ingenious and Mechanical Delights that is my pet long-term project.  Then I thought, ‘Well, if I just make a bride and groom and take them down to Rune Smith, it’s not exactly a commission.  The customers can decide whether they want to buy them, or go for the engine room.’

Bride first.

I trawled through steampunk websites and Pinterest for inspiration.  Would she be a cheery burlesque bride –  all thighs and cleavage?  A Victorian crinoline type with parasol and meringue skirt?  I didn’t fancy either much.  I wanted to do something new.

The fabric scraps box was upended and I picked out everything cream, ivory, coffee and toffee coloured.  The ribbon and lace boxes followed.  Then the leather offcuts box.  A plan was forming.  Steampunk is all about innovation, reusing and combining materials in unexpected ways, so that was what I would do.

First  lace-trimmed drawers and a cotton lawn petticoat, with gathered organza hem and a layer of coffee-coloured lace.  The skirt itself involved a solid day of handstitching all manner of fabric shapes and layers together – khaki drill, cream cotton lace, satin, ribbon, bias-cut pieces of handkerchief fabric and embroidery floss.  This was embellished with copper wire and (wince – hate it, but it had to be done) an assortment of watch cogs and fly wheels.  I always baulk at gratuitously applying machinery parts that have no function, but I had a feeling they’d be expected.

The bodice was a fragment of pale chamois leather, cut asymmetrically and laced at the front with gold thread.  The bouquet was a ribbon rose embellished with more cogs and wire, and I opted for a Game of Thrones type veil in bronze and blue organza with a simple wire and ribbon headdress.

I loved her.  I was exhausted.  But did she fit the brief?  Was she steampunk enough?

I decided to ask for some wisdom from a Facebook group I belong to – one specialising in making miniatures from everyday objects.  I posted a quick video of her and asked their opinions.  I’d purposely chosen this group, rather than one of the dedicated steampunk groups I belong to, to get a more ‘person-in-the-street’ opinion on what constituted steampunk.

The responses were many and various! Many iconised likes, loves and wows. The comments ranged from the singularly unhelpful ‘Dress her in black!!’, through ‘What IS steampunk?’ to one person who solicitously explained the difference between cogs and fly wheels as she thought I must be confused.  As I had hoped and expected, though, many of the kind and lovely people took time to suggest extras and modifications that would help me to fulfil the brief.

The veil – their collected wisdom told me – had to go.  The headdress had to include (oh shudder and groan at the dreary cliché!) a top hat, and possibly goggles.  The bouquet needed to be bigger and bolder, the bodice more decorated and – at her waist – either a pouch or (I loved this idea) a chatelaine.

So, having added several necklace chains worth of metalwork, a (heavily disguised) kid leather hat and gone along with the other ideas  – except the dratted goggles; I have my pride! – I reposted my altered little lady.

Unanimous praise – well almost.
‘I wish she had the glasses’  one of the goggles advocates wrote!

Well if that person is reading this, they might like to take a trip over to the Steampunk Doll’s House, where they will find many of my steampunk ladies and gentlemen sporting goggles in all shapes and styles.

Now I’m off to finish the groom.

 

 

Sir Ernest Buckleton-Tweedy – Airship Pilot.

Oh yes, I’ve been tinkering around in airships since I was a boy.  Had an uncle, don’t you know, who owned one and allowed me to go along on some of his journeys.  Goodness me, they were rough old machines in those days!  I remember having to move the rudder by manhandling a length of wire.  Cut your hands to ribbons, that did.  So I fixed up a little device that linked directly to the compass and the anemometer.  Far better.  The old boy saw what I’d done and was pretty impressed; kept me on as crew.

I thoroughly enjoy tinkering with the machinery even now.  Just take a look at my clockwork air-pressure measurement device here.  Dashed proud of that, if I say it myself.

A chap doesn’t like to brag, but I designed and built my own dirigible from scratch, y’know.  Steam-powered beauty of a machine, she is.  Now I regularly navigate to the Americas in her.  Off on another trip next week, as it happens.

I commissioned that woman – Mrs Steampunkle, or whatever she calls herself these days – to make me a new leather coat and helmet.  Made a dashed fine job of it in my opinion.  Good and thick with the fleece collar.  It can be bitter when you’re flying over Cape Horn, don’t y’know.

Anyway, can’t hang around here dilly-dallying all day, pleasant as it’s been to chat to you.  I need to go and sort out my provisions for the trip.

Toodle-pip.

 

Ernest – like the rest of the Steampunk- Shrunk figures – is a one-of-a-kind 1/12 scale figure with a porcelain head, hands and feet and movable limbs.  His coat, helmet, goggles and air-pressure gadget were handmade in Glastonbury, England.

He is no longer for sale, as was been bought as a gift for an aviation enthusiast.  I’m told there’s even a chance he may get the chance to fly in one of this gentleman’s remote-controlled aircraft.  Ernest would love that!  Other figures, including some more aviators, can be found at The Steampunk Dolls’ House (online) or, if you’re visiting Somerset, at Rune Smith of Glastonbury.