Allow me to introduce myself – Miss Delores Mayfeather.
Well, appearance is everything, wouldn’t you agree? It’s the details that matter and I should never permit myself to be seen in public without looking my best.
I understand from my eccentric but knowledgeable friend Professor Erazmus that in another dimension it is all the rage to produce ‘selfies’ – images of oneself contained in a small glass device. Imagine being able to photograph oneself, whenever one pleases! I feel I should fit well into that culture. Nevertheless, in mine, I must content myself with ‘sitting’ (although I was compelled to stand, which was most fatiguing) for a photographer named Miss Podmore at her studio in Lexden Gardens.
I was delighted to discover a female photographer – such a pleasant change from those rough-spoken men – and this lady was both polite and a master of her craft.
She showed me a range of canvas backgrounds – ‘drops’, she called them – and allowed me to select a few. Naturally, I selected images of cogwheels and machinery, the better to display my mechanical arms.
Had you not noticed them? They are most cunningly designed to augment my natural muscles and to allow me to utilise super-human strength – an ability most necessary for a young lady when walking in the streets of London these days, in my opinion.
Miss Podmore was kind enough to say that I made a most agreeable subject. She even asked my permission to display a copy of my photograph in her studio. Naturally, I agreed.
I shall definitely use her services again.
Should you wish to view or purchase a miniature copy of my portrait, simply click here.
Two of the gentlemen from our collection – Alex, the young adventurer whom regular readers last met on an airship journey (here, for anyone who missed it) and James, a debonair gentleman carrying a telescope and sporting a very unusual monocle – are about to embark on a new adventure.
They are leaving our Shropshire stock room, to begin a perilous journey via the postal service, to their new home.
We hope they won’t find the journey too traumatic (What am I saying? These gents live for adventure!) and that they will be thoroughly appreciated by their new custodian.
Meanwhile, new stock will be arriving any day in the shop, as we branch out to include a wider range of items and prices to suit every pocket.
Alex and James are unique, one-off creations and won’t be replaced, but there are plenty of other characters there and new ones will arrive in due course. If you’d like to visit the shop, please click this link. Our range can also be seen here at Steampunk Junkies.
As promised, the first of the steampunk-themed rooms has now joined the items for sale at the Steampunk Dolls House shop on Etsy UK.
Professor Erasmus, in his black and gold smoking jacket and cap, stands, deep in thought, staring into the domed scrying glass set into his bench. Ancient books, contraptions and receptacles of various kinds surround him or lie on shelf behind him. An elaborate system of chains and pulleys hang from the ceiling and above the wooden wall panelling, the cogs that control various clockwork mechanisms can be glimpsed.
There are several other images and more details available on the site.
The scrying room was created by Matt, the shop’s owner, while Erasmus was made here in my workshop, to Matt’s specifications.
I’m currently working on a series of framed portraits of the shop’s characters, with help from the ‘effects’ button on my phone. These should be available in the shop soon.
Here is a sepia toned photograph of Erazmus, to give you an idea of how they will look.
Here’s a rare picture of Amelia with her identical twin sister Leonora. When I first met them they both looked exactly like Leonora (left).
All my steampunk characters start out as mass produced dolls which I pick up online or in shops or bazaars.
First the clothes and excess glue are stripped off. Then I look at the hair and decide whether it’s salvageable. Sometimes I keep it and just do a restyle, as I did here. Sometimes I make a new wig.
Next they sit for a while on the workbench while I decide how to transform them. I’d done several lovely Victorian ladies in long dresses with top hat style fascinators or cogwheel covered headdresses, but Amelia seemed to want to break the mould.
So here she is – a fearless flyer and expert mechanic. She may be petite and blonde, but she’s the equal of any other aviator and is happy to strip down an engine with the best of them.
The details were fun to make – the hip flask swinging from her belt and the leather wristband, the brass knee protectors worn over tight leather trousers, the chamois leather scarf and the wrap-around goggles.
As for Leonora, she must have been inspired by her sister. Following a very unpromising start as a dolls’ house housewife, she ended up as a renowned explorer, travelling the world with her glass astro-chronometer. Her unusual goggles have integrated clockwork dart-launchers. I wish I had the skill to make them work!
If you’d like to see more pictures of this intrepid duo, or welcome them into your lives, the links to their pages at the Steampunk Dolls House are here:
Meet Bella, one of my favourite steampunk creations.
The ballgown I fashioned for her has a black brocade skirt, trimmed with metal beads and cogs. The bodice and sleeves are made from pale grey leather and black lace, heavily embroidered with watch parts.
Some costumes work better than others and Bella’s suits her personality well. I was going to make her a headdress of some kind – perhaps a veil over her face, made from the same lace that covered her bodice.
Bella was adamant, though. She wanted a mask.
I’d never made one before at that scale (1:12). I used a piece of lace, stiffened with several layers of PVA to make the mask base. Next I raided my box of watch parts. Two pieces (called, I think, ‘flirts’) took my eye. Wired together, they made a skeletal stag’s head shape. Tiny coils of brass wire formed the eye spaces and cheekbones. Minute cogs and chains were stitched into the spaces, and there was Bella’s mask.
Now she can decide whether to wear it on top of her head or as a mask. She normally chooses the latter, though. Bella enjoys retaining an air of mystery and keeping her identity concealed.
“Mongolia?” repeated Mercurius, his eyebrows almost vanishing beneath his flying helmet.
“Oh yes. Mongolian Steppe. Perfect climatic conditions there for incubation,” mumbled the old man, whose back was turned as he counted the money and placed it into a brown envelope.
“Incubation?”
“There’s no need to squawk in that manner, young man,” Algy responded. “Your advertisement in the Gentleman’s Weekly stated that you would carry any cargo to any destination with no questions asked. Yet you pester me with questions!”
Mercurius shook his head slowly. Algernon Fforbes was not typical of those who required his services. To be honest, he was most often called upon to deliver weaponry of various kinds. This intricately carved casket and its key – which he was under the strictest instructions not to open under any circumstances until he arrived at his destination – intrigued and concerned him, in equal measure.
“Forgive me,” he said, “I have no wish to know the reason you are sending this – item, or where you obtained it.” (This was patently untrue; he was itching to know both these facts.) “However for my own safety I need to know what type of material I am carrying.”
Algernon gave a snort of irritation and reached for his pipe. “You are carrying an egg, young man. It is well wrapped, so you need not fear breaking it, unless you are foolish enough to crash that flying contraption of yours. You are to find as remote a location as possible in the Mongolian Steppe, place the casket on the ground and unlock it, using the key provided. You will then have ample time to leave the vicinity and fly away before the di- before it hatches. I’d advise you to make as much haste as possible, however, since you are so concerned for your safety.”
“So I simply abandon it there?”
“Have I not just said as much?” Algy snapped.
Somewhat unwillingly, Mercurius picked up the casket and attached it to the lanyard beneath his greatcoat. He hung the key beside it. Algernon handed him the envelope stuffed with banknotes.
“You will find the agreed fee there,” he said shortly.
The messenger walked slowly to the door. He made every effort to keep silent, but finally cried, “You are spending a huge amount of money, it appears, to abandon some unfortunate newborn creature to a slow and lingering death in a frozen wilderness, Sir. There seems no rationality to it!”
Algy smiled at this. “Not at all, I assure you. The creature will thrive. The conditions in the area where you will leave it are the closest on the planet to those in which it was conceived, in its own time. I am offering it – via your services – the gift of life. Now good day, Sir, and make your journey with the utmost speed.”
As the door closed behind Mercurius, Algy picked up his Device and cradled it fondly in his arms.
“The ‘creature’ will thrive,” he chuckled to himself. “But I can’t say what the effect on those who encounter it may be.”
The students at The Lucerne Academy for Young Ladies sat in a neat and expectant semi-circle. It was not often a visitor came to speak to them, and this one had apparently come at the personal invitation of Miss Lucy.
Lucy Etherington was a legend at the Academy. Her classes were always full; her lessons were endlessly surprising and – while her teachings were sometimes frowned upon by the more conservative members of the college’s governing body – her successes were indisputable. Many of her former students were now world renowned explorers, inventors and scientists.
There was a slight gasp as the visitor entered the room. She moved gracefully and smoothly, almost gliding into position before the pupils. She gave an engaging smile and the girls looked in amazement from her to their teacher and back.
“Miss Lucy,” cried Grace, remembering just in time to raise her hand before speaking, “Are you twins – or sisters, at least? Your faces look so alike!”
There was a murmur of agreement from the rest of the group.
The visitor gave a tinkling laugh, not unlike the sound of tiny metal bells.
Miss Lucy smiled as well. “We are – one could say – very closely connected. Young ladies, allow me to introduce Eve.”
There was enthusiastic applause.
Lucy turned to Eve and said, “We are delighted to welcome you here. Perhaps you would be kind enough to demonstrate some of your accomplishments to the students.”
“I’d be delighted,” replied Eve, still with the soft, ringing voice that was pleasant to the ear, and yet ever so slightly disturbing.
She moved across to the piano and began to play a tune – a piece by Handel, which many of the girls had themselves studied. After this she showed them several watercolour paintings – proficient yet, it must be said, lacking any particular creativity – and passed around some embroidery she had completed.
The clapping became merely polite; the smiles and nods on the girls’ faces grew more fixed. All of Eve’s ‘accomplishments’ were quite charming. They mirrored those expected of the girls themselves by the majority of their parents and tutors. The students were far too carefully educated to fidget or yawn, of course, but this was hardly what they had come to expect in one of Miss Lucy’s lessons.
Lucy, meanwhile appeared to be giving little attention to her guest. She seemed much more concerned with the equipment in her leather bag and was constantly turning dials and pressing buttons. The girls were mystified.
Grace
Naturally it was again Grace – the wildest and most impetuous of the group – who gave voice to their puzzlement.
“Miss Eve,” she said, picking her words with far more care than was usual in her case, “I think your music and artistic ability are wonderful, but I just wondered…”
“Yes, my dear?” trilled Eve, with an encouraging smile.
“Well, do you do anything – um – creative? I mean, I know all the skills you have shown us are creative, of course, but I mean, do you – invent, like Miss Lucy, for example?”
There was absolute silence in the room. Grace and her fellow students wondered anxiously whether she had been impolite. They watched their teacher and the visitor with a mixture of fear and anticipation.
Eve smiled. She turned her head and glanced at Miss Lucy. Miss Lucy nodded slightly.
“What an excellent question, young lady,” smiled Eve, and there was an audible sigh of relief from the girls. “Sadly, I am not able to ‘invent’ as you put it – important and vital as such things may be. You see, you young ladies posses something which I do not have. You have the drive and ability to be endlessly creative and to mould your world in countless innovative and brilliant ways. Alas, I do not.”
Grace exclaimed, “But you’re not that old! Miss Lucy is -”
“My friend means,” cut in Katherine, the girl seated next to Grace, hastily, and with burning cheeks, “Miss Lucy has been a wonderful example to us of how nether gender nor age should ever be a bar to achieving great things in life.”
Eve smiled again, and Miss Lucy gave a slight cough which almost managed to conceal her snort of laughter.
“My dear young people,” smiled Eve, “You are completely correct. I am glad that you have listened so carefully to your teacher. However, when I said there was something that I lacked, I was not referring to strength, youth or vigour. Indeed, my strength surpasses that of the strongest of gentlemen.”
To prove her point, she crossed again to the piano, stood behind it and lifted it effortlessly above her head. There were gasps and a few screams from the audience. She smiled and replaced it carefully.
“What I lack, my dears, and what you – and your teacher – all possess in abundance… is a soul. Without a soul, creativity is reduced to mere copying, as the young person sitting there so astutely noticed. I can learn a piece of music or paint a scene perfectly. I am able to conduct a conversation with only a small amount of assistance.”
She glanced once more towards Lucy, who removed her hand from the dial she was adjusting and placed her hands in her lap.
“But to invent,” continued Eve, “to create, to alter the world in the ways that I hope you will all go on to do – for that, a soul is required.”
The audience sat and stared at her in stunned and uncomprehending silence.
“Perhaps it is time to share your secret with the young ladies,” suggested Miss Lucy. “You will NOT require smelling salts,” she added rather sharply, turning to the students and raising her eyebrow slightly. “Simply open your minds and expand your understanding of what is possible.”
The girls leaned forward in their seats.
Eve nodded and gave her tinkling, slightly mechanical laugh once more.
“To do so, young ladies, I will need to turn my back on you, I’m afraid. Your teacher and I do indeed have a very close relationship. I am her creation!”
As she said these words she revolved gracefully, revealing the intricate mechanism set into her back, which had so far remained concealed.
“I am, my dears – an automaton.”
Like all the other characters available from the Steampunk Dolls House, Lucy and Eve, as well as Grace and Katherine are one-off, handcrafted 1:12 scale models, made by upcycling and customising dolls house dolls.
They are currently available at £25 each. Click below to visit their links in the shop:
They sat for some time on the bench in silence. William Robertson decided he’d better open the conversation.
“I was impressed – and intrigued – by this hat you sent me, Mr – Lars?”
“Just Lars,” responded the younger man, with a slight smile. His accent was difficult to place. “I am pleased that you like it. I see you have worn a matching waistcoat in its honour.”
“I have,” William replied abruptly. “And I’m grateful for the warmth it affords me. Hyde Park, in December! Could you not have chosen a more comfortable place to meet?”
It had not escaped William’s notice that Lars wore no coat and had his shirt sleeves rolled up.
“It is an excellent place to meet in winter,” Lars declared. “We have the place almost to ourselves. There is no danger of being overheard.”
“Yes, and what IS this paranoia of yours?” demanded William, quite angrily. “You say you want to speak to me about some invention, yet insist I come alone and bring something to protect myself.” He looked down at his dart launcher with an expression somewhere between fondness and embarrassment. “You choose this bitter, godforsaken park bench and you carry nothing – no plans, no device. What the deuce is going on? I’d advise you not to waste any more of my time, Sir!”
“I am wearing my invention upon my head,” Lars said, almost casually. “Far from wasting your time, Mr Robertson, I have the means here to free you from it altogether and to give you complete control over it.”
“Free me – from time?” William looked at him slowly. “Are you telling me that hat you wear is a – a time machine?”
Lars gave a short laugh. “Nothing so vulgar – or so dangerous, I assure you. While we stay safely in place, this creation of mine can gain information from any time you wish – past, present or future – and from any location.”
William rose to his feet. Unable to contain himself, he started to pace around, staring all the while at the curious contraption worn by his companion. He opened his mouth to speak once or twice, but no words emerged.
“It works through steam power,” Lars continued. “Steam, as of course you are aware, has great power. It is composed of water. And water, you may also be aware, has – memory.”
“Yes, yes, I read Erazmus’s paper to that effect quite recently, but I don’t see how – ”
“A small amount of water, gathered from the correct time and location, is heated, then condensed within my machine, Mr Robertson, and as this happens, the memory is separated from it and retained. The memory trace can then be read. We can know the past and know the future. There are those who would kill for this power. This is why I suggested the precautions, you understand.”
William’s eyes bulged. He tried to take in this information, to sort it in his mind, to work out the implications and possibilities of using such a machine. Quite suddenly he wheeled round and faced Lars, his eyes blazing.
“And how, may I ask, can you collect water from the FUTURE?” he demanded.
Lars casually removed the dark glasses he had been wearing throughout their meeting and looked William in the eye. “You surely don’t expect me to reveal that.”
“If I’m to pay for this device…” blustered William, “then I – ”
“You are NOT to pay for the device,” Lars cut in. “You are to pay for the information it provides. I can tell you all you wish to know of any event, at any place or time where the smallest amount of water is, was, or will be present. You will be able to foretell the future! You will be able to make a fortune based on knowing how future events will fall out. You will be able to solve riddles of the past. But you will not own the device. I alone know how to use it and no instructions are written down.” He paused and added, “If you tried, you would merely scald yourself a little.”
William sat back on the bench and considered. “And of course you will provide me with proof of your claims, which can be clearly validated?”
“Naturally.”
“And how do I convey to you the time and locations I choose?”
“That hat I sent you – the one you now wear – has a mechanism for setting the coordinates. These will be relayed to me via etheric currents which travel invisibly through the air. You will, of course, receive full instructions on how to use it. It is perfectly safe.”
This is part of my work table in one of the Steampunk Doll’s House workshops. Yes, there are two.
The room settings and other wooden wonders (soon to be reaching the shop) are crafted in a Victorian terraced house in Shropshire, close to the Welsh border.
Most of the figures begin life here, though, in a tiny room at the top of a 350 year old cottage, just down the road from Glastonbury Tor, in Somerset, England.
Ava, there, has just had her hair made and fitted and if you look carefully, next to her shoulder is the tiny copper and steel mechanical bird that will be perching on her arm one day. First, though, she must be dressed. I was trying to decide which colour velvet would go best with her peacock blue leather bodice – dark green, midnight blue or purple. Turns out, her costume will be a mixture of all three.
As the clothes take shape, so her personality will develop, and soon she’ll have her own story – like why she is holding a mechanical songbird…
That will have to wait for a future post, though. I have some sewing to do.