Hi, I’m Ruby. They’ve asked me to explain to you what steampunk is, because loads of people are like, ‘What’s that?’
Well don’t be put off by the long words (‘cos I learned them specially, lol) but it’s a kind of retro-futurism. Yeah, I know. Took me a while to get my head around it, but there’s these old stories that were written like years and years ago, by Victorians and that. HG Wells and Jules Verne and people. And although they’re set in those times, they’re about the future – things like exploring to the centre of the earth or time travel and cool stuff like that.
Well some modern people thought it would be fun to imagine a world like those old people wrote about was really coming true. It’s as if time took a different turn and instead of us getting into nuclear power and smart phones and everything, people had found clever ways to use the olden days technology like steam and clockwork. I think it’s dead cool.
Those old stories I was talking about, yeah? Well they had all sorts of terrifying monsters and stuff that the heroes had to battle against with their amazing steam-powered weapons, so steampunk is into that, too. Loads of the guys go and buy nerf guns and do them up so they’re metallic and look really awesome, to protect themselves against all the evil stuff. I know – bit weird – but boys and their toys, y’know?
Steampunk isn’t much like real Victorians, because they were quite dodgy really – no women’s rights and like exploiting the working classes and anyone who wasn’t British. We learned about them in history. So steampunk people have a motto about being splendid to everyone. We kind of take the best of Victorians (like how good they were at inventing and building awesome machines and everything) and ignore all the bad bits.
I got into it when I read Northern Lights. That’s by Philip Pullman and it’s what The Golden Compass film is based on, but I liked the book better. And now there are loads of good steampunk writers about and we have conventions and festivals and balls and everything. You might want to try reading stories by Nimue Brown or Phoebe Darqueling or go to some blogs like The Curious Adventures of Messrs Smith and Skarry or Cogpunk Steamscribe.
Anyhow, got to rush. I’m off to a steampunk fair with Charles. His costume looks awesome. Oh, and if you want to check up on some of the others, go to The Steampunk Dolls House. I might join them there sometime.
Finally my furnace was burning away merrily and Inferna the Twisted Firestarter was safely ensconced in her cage (with a large DO NOT FEED sign in case anyone felt tempted to give in to her endless wheedling and eyelash fluttering).
Huge clouds of steam billowed from the copper pipe my assistant and myself had fashioned from something called a ‘jumbo drinking straw’ and a supply of copper tape normally sold, apparently, to deter slugs from entering plant pots. The twenty-first century will forever remain a puzzle to me.
“So what do we need now, Henry?” enquired my companion.
I made a list of the items required for the machinery, valves, gauges and pipework and a rough sketch of the way I intended to fit them together.
“Shouldn’t be a problem,” she nodded. “I’ll do a trawl of the charity shops on the High Street. If we have to spend money, at least we can be sure it will go to a good cause.”
Money.
I must confess that much to my chagrin, I am reduced to relying on the kind lady’s charity, since my own – not inconsiderable – fortune remains locked in my own time. Even if I had managed to bring some with me on my time-travelling adventure, it would doubtless have suffered the same fate as myself and been reduced to one twelfth of its natural size, rendering it quite useless in my present surroundings. The dear lady is quite phlegmatic about the expenses, however. She insists that the total cost of building my engine room has been less than five pounds. That seems quite a large sum to me, but she insists it is a paltry amount in her age.
” Besides,” she smiled. “Once you’ve powered up your device and headed off into some other dimension, or whatever you do, the engine room will still be here and I can sell it at a profit.”
I agreed that this would be an excellent solution and would prevent me from feeling aggrieved at causing her to be out of pocket.
Beaming broadly, she returned from her shopping expedition and tipped a collection of items on to the table. I had to admit she had done well. There were narrow gauge steel tubes, various jewellery beads and fittings, a wooden memo box with a picture of two children and a rabbit peeling from it (excellent housing for the machinery, once the picture was removed and it had been painted and burnished), some metal devices for inflating footballs and a heavy-duty metal nut and bolt set.
I began work at once. Within a few hours my engine was chugging merrily and the machinery was in perfect working order.
So – if all goes to plan – this will be my final entry in my diary for the year of 2017. I have said fond farewells to my able and accommodating full-sized assistant. I have made all the necessary calibrations and am shortly to plug my heavily rebuilt portable time-machine into the engine to charge it. Hopefully, I will then depart for my own world and be restored to my full size, with many a tale to tell.
Farewell.
Assistant’s note: I am pleased to report that Henry’s departure was successful – although I do rather miss him. By some strange space-time anomaly, a lifeless but otherwise perfect version of Henry, as he looked when he first arrived in my cottage, has remained behind and is offered for sale at the Steampunk Dolls’ House (click for link). The engine room will also be offered for sale, either at the shop or on my Steampunk – Shrunk! stall at the Glastonbury Craft and Vintage Fairs held once a month. Contact me for details.
I recall that last time I penned an episode of my adventures as a one-twelfth scale explorer, inadvertently lodged in the year 2017, my normal sized assistant and myself were pondering a method of combustion for the steam engine we were building, to allow me to power up my Machine and escape to my own dimension – in every sense of that word.
By a piece of great good fortune, I myself was able to solve that particular conundrum. It occurred when I noticed, in a nearby city, an establishment named Whitherspoons. It had a most favourable external aspect and, hoping that I might have stumbled upon a high quality gin palace, I eagerly made my way towards it. No sooner had my foot alighted on the threshold, however, than I was pushed backwards by a person carrying a cage almost as large as himself and being propelled from the building with considerable force by a burly and irate landlord. The language which passed between them convinced me that this was in no way the kind of establishment I had anticipated, so I turned my attention instead to the evicted individual.
“Honessly,” he was mumbling, “it was only a puff o’ smoke. Nuffin’ to make a fuss about. This no smokin’ rule is ridickilus.”
I assisted him to his feet and righted the cage which, I then noticed, contained a greenish yellow reptilian creature with a baleful expression.
“It’s ‘er fault!” the man said angrily, gesturing towards the animal. “Reached out an’ grabbed a bit o’ coal from the scuttle by the log burner, didn’t you!”
The creature attempted to slink further down the cage and averted its gaze.
“All I wanted was a quiet pint! Wos a bloke s’posed to do, eh?”
“What manner of creature is it?” I enquired.
“She a fire starter,” he replied. “Twisted fire starter. Best sort. They fit better in the cages, see? Cost me an arm an’ a leg, she did. But that’s the nature of the beast, innit? Give ’em a bit of coal and they start a fire, don’t they? An’ when they go nickin’ coal that’s been left lyin’ around in scuttles, well, stands to reason she’s gonna start smokin’, don’t it? An’ wot wiv pubs all bein’ no smokin’ hestablishments these days, little madam only been an’ got me slung out, didn’t she?”
“I understand your predicament,” I responded.
That was when I had my enterprising idea.
“I don’t suppose you’d be willing to allow me to take her off your hands, would you? I can promise her an excellent home and plenty of coal.
He regarded me solemnly. “Well,” he began slowly, “Like I said, she cos’ me…”
At that moment, though, the door of the inn opened and two exceedingly merry gentlemen emerged, bringing with them a distinct odour of cheap ale. The temptation was too great for my companion to resist.
“Go on then. Take ‘er, an’ welcome. Jus’ don’t feed ‘er unless yer want a fire startin’. She’ll try anythin’ to get round yer. ‘Arden yer ‘eart, mate. Don’t say I didn’t warn yer.”
And without further ado, he handed me the cage and returned to his beverage, while I headed back eagerly to my assistant’s cottage with my new acquisition.
Henry’s Engine Room, including the twisted fire starter, will be on display at the Steampunk-Shrunk!stall at Glastonbury Town Hall on Saturday 25th March 2017.
A new day dawns, and if I can permit myself a brief moment of nostalgia for my – temporarily – lost world and stature, I shall temper that with enthusiasm for the construction of my engine room. This is progressing well.
Yesterday my enterprising assistant was able to help me to construct the furnace for the steam generator. True, in her dimension it is a small box coated with some strange, shiny substance, but for my present scale (one twelfth of my accustomed size) it provides a sturdy and robust firebox, particularly as much of it is lined with copper.
“We can use one of these to make the fire, Henry,” she announced, producing a cylindrical appliance of oriental construction, which utilises something she calls a ‘battery’ to produce a flickering flame in a small translucent bulb. “It’s a battery tea light,” she continued, as if all should then become clear to me.
“Madam, I applaud your ingenuity,” I responded. “And a cup of tea would be most welcome, by the by. However, I should feel more comfortable if I were able to use a more traditional fuel for my engine. We will need a large quantity of coal and a means with which to ignite it.”
Nothing daunted, the redoubtable lady collected a sheet of extremely thin and pliable aluminium from her kitchen. It apparently has some culinary purpose which I am unable to comprehend. Having screwed it into a lump, she proceeded to spray it black. I have to admit, it certainly resembles a coal heap and the good lady assures me it will serve as such. I trust that she is not merely humouring me.
“I’m not sure how you would be able to light it, though,” she remarked, dubiously.
I am pleased to say that I provided a solution to that difficulty. However I am too fatigued by my day’s exertions to record the details now. It will have to wait for another occasion.
Should you wish to become better acquainted with Henry, do visit him at the Steampunk Dolls’ House. He’d enjoy the company. The link is here.
Now this is the technology I feel most comfortable with – the glorious make-do-and-mend in which quite humdrum objects are cunningly combined and formed into wondrous contrivances (in time-honoured steampunk style, I feel).
Take Penelope here: Like all the characters at the Steampunk Dolls’ House, she began life as a rather dull, soberly dressed figure. (Just imagine how complex the manoeuvres with our time machine were, to enable us to bring you this ‘before and after’ picture.)
After much padding, cutting and stitching, she cuts a fine figure, I’m sure you’ll agree.
As for contrivance, well don’t let her know that I’ve shared this information with you – heaven knows what she’d say – but the stick of her parasol was fashioned from a cotton bud stick, covered in copper tape (sold to gardeners as a slug repellent). The shade itself was moulded over the cap of a roll-on deodorant – lace and garden wire struts stiffened with PVA glue, before being covered and trimmed with fabric and lace. A few beads were added top and bottom, and her accessory was complete.
I am far less comfortable with the technology involved in social media, and it was not without considerable difficulty that I endeavoured to produce a Facebook page to showcase the items featured in Steampunk – Shrunk.If I have achieved my goal, followers of that page should be alerted to the publication of this post … and by visiting this link: https://www.facebook.com/steampunkle/ you should be able to visit, like and follow that page.
I trust that you will make that journey smoothly, and not become irretrievably lost in some etheric time warp.
“The Kraken, Mr Dalrymple? Are you teasing me a little?” Grace asked.
She so wanted to believe his story, but was determined not to be taken for a fool.
“I assure you, Miss Templemann, I would not dream of doing anything so ungentlemanly. All I have told you is the truth. I was crossing the Northern Sea in my airship, when a huge green tentacle appeared from far below and, as I explained, rendered most of my arm useless.”
“So how did you survive this fearful attack?” she enquired, glancing at the mechanism which controlled his beaten copper arm.
A shadow crossed Jack’s face as he recalled the event and he gave an involuntary shudder.
“Fortunately it was only my left arm that was attacked. I took my knife and sliced through the beast’s appendage, which fell to the base of the gondola. The creature chose not to waste any more in a further attack.”
“You poor man!” Grace cried, staring deep into his eyes.
Jack flushed slightly at the attentions heaped upon him by the beautiful redhead.
“And what of you, dear lady? For I see that you, too, are waiting for a check-up with Oscar Kopp, the genius who fashioned my mechanical arm, and managed to save my hand. Is your enhanced arm also the result of injury or disaster?”
Grace gave a throaty laugh. “Good gracious no! I asked Oscar to build me this dart launcher so that I might protect myself from attack when I embark on my expedition to darkest Africa. One simply can’t be too careful. I’ve been wearing it for a month and he is due to make any necessary adjustments before my departure on Saturday. But tell me more about your device. It looks most tremendously complicated.”
“The mechanism is mainly to enable me to utilise my hand in a natural fashion, despite all the nerves and musculature having been destroyed,” responded Jack. “As for this chain -”
But he was unable to finish, since at that moment a door opened and Bjorn, Dr Kopp’s half-human, half mechanical assistant emerged, immaculately attired as always, and called, “Next.”
Grace rose to her feet. “It’s been delightful to meet you, Mr Dalrymple,” she smiled.
“The pleasure has been all mine, Miss Templemann,” responded Jack. “I wish you well in your African adventures.”
“This way, Miss,” said the assistant, and Grace was ushered through into Oscar Kopp’s laboratory.
Dr Oscar Kopp and Bjorn – his assistant – will also find their way to the Steampunk Dolls House when time permits. Meanwhile, feel free to explore the other delights at the Steampunk Dolls House here: https://www.etsy.com/uk/shop/SteampunkDollsHouse
“Would you care to take some tea, Mr Fotherscue?” asked Alice, sweetly.
“Tea?” Henry remarked abruptly, as if being jolted back from more portentous considerations. “Oh yes, if you wish.”
“Darjeeling or Earl Grey?” she persisted.
“Uh, the second one,” he responded as he unstrapped the heavy contraption from his back, placed it carefully on the floor and slumped into the richly upholstered chair she indicated.
Delicately – Alice performed every act with delicacy – she poured the beverage and handed him his cup.
“Uncle Ambrose will be here shortly,” she smiled. “He had a few errands to run.”
“Right you are,” said Henry. Then he stopped and looked at Alice with a degree of interest which had hitherto been lacking. “So you are Ambrose’s niece? Do you live with him here?”
“I lost all I had, including my parents, in the Resplendian Uprising when I was just fourteen. Uncle Ambrose was kind enough to take me in. I act as his housekeeper, and his workshop assistant, when required.”
She didn’t add that this service had only been required on a single occasion, and then only for approximately six minutes, when her uncle had needed someone to turn a wheel while he checked a mechanism from beneath. Normally he allowed no one near his workshop – not even to dust.
Henry
Henry Fotherscue looked duly impressed.
“You are indeed fortunate to live with such a brilliant inventor. Are you, then, familiar with this device?”
“It’s the Temporal Transformer,” Alice replied, in as casual a tone as she could manage. As luck would have it, she had been eavesdropping from the drawing room on the day Henry had first collected it from her uncle, and had overheard a good part of their conversation.
Henry nodded. “It’s been playing up,” he stated. “I think maybe the elephant was a mistake – in more ways than one.”
“Elephant?” Alice enquired, with a slight gasp.
“Hmm. Ambrose warned me not to attempt a transformation with anything too large. But, I mean to say, how large is large? I’d avoided bridges, airships, buildings and so forth, but the locomotive had worked just fine. You should have seen the people’s faces when it appeared in the middle of a market in 1542! The elephant, though – well – not so easy to control.”
“I’m sure,” murmured Alice, weakly. “So – forgive my ignorance, Mr Fotherscue – but when you make a temporal transformation, do you then travel with the object?”
“Well obviously,” Henry replied. “How else could I bring them back?”
“Oh yes, I see,” lied Alice, flushing slightly. “More tea?”
“Perhaps,” he said, absentmindedly. “The thing with an elephant is, you can’t tell what it’s going to do from one moment to the next. Not at all like a machine. And the transformer hasn’t been the same since. I do hope Ambrose can fix it.”
‘So do I,’ thought Alice, grimly. She wouldn’t have wanted to be in young Henry’s shoes if her uncle’s prize invention had been ruined.
If you would like to become better acquainted with Henry and the Temporal Transformer, they are on view at the Steampunk Dolls House Shop.
Meet Bella, one of my favourite steampunk creations.
The ballgown I fashioned for her has a black brocade skirt, trimmed with metal beads and cogs. The bodice and sleeves are made from pale grey leather and black lace, heavily embroidered with watch parts.
Some costumes work better than others and Bella’s suits her personality well. I was going to make her a headdress of some kind – perhaps a veil over her face, made from the same lace that covered her bodice.
Bella was adamant, though. She wanted a mask.
I’d never made one before at that scale (1:12). I used a piece of lace, stiffened with several layers of PVA to make the mask base. Next I raided my box of watch parts. Two pieces (called, I think, ‘flirts’) took my eye. Wired together, they made a skeletal stag’s head shape. Tiny coils of brass wire formed the eye spaces and cheekbones. Minute cogs and chains were stitched into the spaces, and there was Bella’s mask.
Now she can decide whether to wear it on top of her head or as a mask. She normally chooses the latter, though. Bella enjoys retaining an air of mystery and keeping her identity concealed.
The students at The Lucerne Academy for Young Ladies sat in a neat and expectant semi-circle. It was not often a visitor came to speak to them, and this one had apparently come at the personal invitation of Miss Lucy.
Lucy Etherington was a legend at the Academy. Her classes were always full; her lessons were endlessly surprising and – while her teachings were sometimes frowned upon by the more conservative members of the college’s governing body – her successes were indisputable. Many of her former students were now world renowned explorers, inventors and scientists.
There was a slight gasp as the visitor entered the room. She moved gracefully and smoothly, almost gliding into position before the pupils. She gave an engaging smile and the girls looked in amazement from her to their teacher and back.
“Miss Lucy,” cried Grace, remembering just in time to raise her hand before speaking, “Are you twins – or sisters, at least? Your faces look so alike!”
There was a murmur of agreement from the rest of the group.
The visitor gave a tinkling laugh, not unlike the sound of tiny metal bells.
Miss Lucy smiled as well. “We are – one could say – very closely connected. Young ladies, allow me to introduce Eve.”
There was enthusiastic applause.
Lucy turned to Eve and said, “We are delighted to welcome you here. Perhaps you would be kind enough to demonstrate some of your accomplishments to the students.”
“I’d be delighted,” replied Eve, still with the soft, ringing voice that was pleasant to the ear, and yet ever so slightly disturbing.
She moved across to the piano and began to play a tune – a piece by Handel, which many of the girls had themselves studied. After this she showed them several watercolour paintings – proficient yet, it must be said, lacking any particular creativity – and passed around some embroidery she had completed.
The clapping became merely polite; the smiles and nods on the girls’ faces grew more fixed. All of Eve’s ‘accomplishments’ were quite charming. They mirrored those expected of the girls themselves by the majority of their parents and tutors. The students were far too carefully educated to fidget or yawn, of course, but this was hardly what they had come to expect in one of Miss Lucy’s lessons.
Lucy, meanwhile appeared to be giving little attention to her guest. She seemed much more concerned with the equipment in her leather bag and was constantly turning dials and pressing buttons. The girls were mystified.
Grace
Naturally it was again Grace – the wildest and most impetuous of the group – who gave voice to their puzzlement.
“Miss Eve,” she said, picking her words with far more care than was usual in her case, “I think your music and artistic ability are wonderful, but I just wondered…”
“Yes, my dear?” trilled Eve, with an encouraging smile.
“Well, do you do anything – um – creative? I mean, I know all the skills you have shown us are creative, of course, but I mean, do you – invent, like Miss Lucy, for example?”
There was absolute silence in the room. Grace and her fellow students wondered anxiously whether she had been impolite. They watched their teacher and the visitor with a mixture of fear and anticipation.
Eve smiled. She turned her head and glanced at Miss Lucy. Miss Lucy nodded slightly.
“What an excellent question, young lady,” smiled Eve, and there was an audible sigh of relief from the girls. “Sadly, I am not able to ‘invent’ as you put it – important and vital as such things may be. You see, you young ladies posses something which I do not have. You have the drive and ability to be endlessly creative and to mould your world in countless innovative and brilliant ways. Alas, I do not.”
Grace exclaimed, “But you’re not that old! Miss Lucy is -”
“My friend means,” cut in Katherine, the girl seated next to Grace, hastily, and with burning cheeks, “Miss Lucy has been a wonderful example to us of how nether gender nor age should ever be a bar to achieving great things in life.”
Eve smiled again, and Miss Lucy gave a slight cough which almost managed to conceal her snort of laughter.
“My dear young people,” smiled Eve, “You are completely correct. I am glad that you have listened so carefully to your teacher. However, when I said there was something that I lacked, I was not referring to strength, youth or vigour. Indeed, my strength surpasses that of the strongest of gentlemen.”
To prove her point, she crossed again to the piano, stood behind it and lifted it effortlessly above her head. There were gasps and a few screams from the audience. She smiled and replaced it carefully.
“What I lack, my dears, and what you – and your teacher – all possess in abundance… is a soul. Without a soul, creativity is reduced to mere copying, as the young person sitting there so astutely noticed. I can learn a piece of music or paint a scene perfectly. I am able to conduct a conversation with only a small amount of assistance.”
She glanced once more towards Lucy, who removed her hand from the dial she was adjusting and placed her hands in her lap.
“But to invent,” continued Eve, “to create, to alter the world in the ways that I hope you will all go on to do – for that, a soul is required.”
The audience sat and stared at her in stunned and uncomprehending silence.
“Perhaps it is time to share your secret with the young ladies,” suggested Miss Lucy. “You will NOT require smelling salts,” she added rather sharply, turning to the students and raising her eyebrow slightly. “Simply open your minds and expand your understanding of what is possible.”
The girls leaned forward in their seats.
Eve nodded and gave her tinkling, slightly mechanical laugh once more.
“To do so, young ladies, I will need to turn my back on you, I’m afraid. Your teacher and I do indeed have a very close relationship. I am her creation!”
As she said these words she revolved gracefully, revealing the intricate mechanism set into her back, which had so far remained concealed.
“I am, my dears – an automaton.”
Like all the other characters available from the Steampunk Dolls House, Lucy and Eve, as well as Grace and Katherine are one-off, handcrafted 1:12 scale models, made by upcycling and customising dolls house dolls.
They are currently available at £25 each. Click below to visit their links in the shop: